Can Patty Jenkins Make The Superhero World Safe For Women Directors

Patty Jenkins on Women In Film

Director Patty Jenkins
Patty Jenkins Directing Wonder Woman

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Can Patty Jenkins make the superhero world safe for female directors?

Warner Bros. gambles $150 million on its first woman-centered comic book movie with a filmmaker whose only prior big-screen credit was an $8 million indie:

“I can’t take on the history of 50 percent of the population just because I’m a woman.”

Patty Jenkins is sipping some sort of healthy soup-like sludge at a restaurant in Burbank called Olive & Thyme. Dressed in black jeans and a white tank top, with a pair of aviator sunglasses perched on her forehead to keep her straight black hair from falling into her brown eyes, she looks like a grad student taking a break between classes. You’d never guess that this petite woman drinking green gunk is actually the most important female film director in the business today. She doesn’t think so, of course.

“I can’t take on the history of 50 percent of the population just because I’m a woman,” says Jenkins, bristling when asked about the heavy responsibility of directing Wonder Woman, the most expensive film ever shot by a person with two XX chromosomes (its $150 million budget surpasses Kathryn Bigelow’s $100 million K-19: The Widowmaker). “I’m just trying to make the greatest version of Wonder Woman that I can for the people who love the character as much as I do and hope that the movie lives up to all the pressure that’s on it.”

And that pressure is superhuman, to be sure. When the biggest female-centered comic book movie ever premiered at the Pantages Theatre in L.A. on May 25 (it goes wide June 2), it was Jenkins’ name leading the credits. That would be nerve-wracking enough even for a director with lots of experience working on big-budget superhero movies. But aside from the pilot of AMC’s The Killing and occasional gigs on other high-profile TV shows — shooting episodes of Arrested Development and a couple for Entourage — Jenkins’ biggest accomplishment (indeed, her only big-screen feature) was 2003’s Monster, the indie drama about a female serial killer that earned critical raves and Charlize Theron the best actress Oscar.

WONDER WOMAN

Continued at the Hollywood Reporter

About Envy Adams 39 Articles

This thing is freaking weird is made me change my name… any way I’m erin… and yeah this sucks but oh welll

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